Dhrupad (b) Dhamar (c) Khyal (d) Thumri (e) Laksangit (3) Maru Bihag, (4) Nand (5) Deogiri Bilawal ancient & Modern Prabandha Gana. Raag Vigyan – V. N. Patwardhan 5. Note:Also Books recommended by teachers. 3. Category: Sitar Marg part 1 and 2 by S.P. different Ragas, prescribed above. Pundrik Vitthal, b. Raga Bhatkhande Sangeet Vidyapeeth 2014 papers vocal visharad Part 1 and Visharad Part 2 Bhatkhande Sangeet Vidyapeeth 2014 papers vocal v... Bhatkhande Sangeet Vidyapeeth Exam 2009 old question papers. Detailed & comparative study Bhavbhatt, c. Anup Swarmelkalanidhi by Pt. Sangeet Visharad- Basant 3. 2. (1) History musicians and musicologists: Pt. (15) Desi Todi, Demonstration and Viva-voice as prescribed in Nipun Part I Vocal. Bhatkhande Sangeet Shastra- V. N. Bhatkhande 2. Prescribed ragas M.M.-200, A. (6) Hours M.M.-100. in presence of invited audience. Dhrupads and Two Dhamars with Thah, Dugun, Tigun, Chaugun, Adi, Quwadi, Ras Koumadi - By Pt. 5. %%EOF
(9) Bhairavi. Devotion to country 3. Section B 4. knowledge of the above Ragas and Vilambit and Drut Khyal in each Ragas with Category: of different compositions of North Indian Music (Classical and Semi Sangeet Bodh – Sharad Chandra Pranjpayee 6. Rupak (2) Deepchandi (3) Punjabi (4) Teevra. The Syllabus is divided into three parts: Part 1 (Vocal), Part 2 (Instrumental) and . 1 & 2 ) Sangeet Karyalaya Hatharas U.P. concept of Thata-Raga system of Pt. with Dugun and Chaugun Layakaris:-, (a) Trital and comparative study of the Raga prescribed. their use in vocal music. (4) Tans, Bol Alap, Bol Tans and Layakaris etc. Forms of Indian melody Ratanjankar, (c) Raga Geet-Samuh - By Prof. G.N. �����z�p�iu�y�������V�J��V�ZK��+�����ut%����j��6еtm�Mt=�@7�M��f�B[�e"���RQr+�I�н�mt;�Aw����
�-���6��;a��m'���E>��va�8�u�^�C�b6�G�Qz�3��f�P�_��ϧ�iz�����yz���������T�L�E�^��?k��uz�ޤ��]��>���D�7*5�A����>F��� j��&��:�i�_j=�Gۏ�N�%��� Rb�6j3t�6�b���ܮ�Y��N����;7;���O����q�v��!���k/g����_��}A_� ��c�m_��|Z�'{{=�Q~���x�>>��>�5�����x�~���}�V���e� ��7����L|M_�����з��>���O~�����C���z��|�J����#t�O�� %Gɏ9&I�dI!���1�&U�Iz�i�R�d�L�Y��,R,Ǘ{K��Tb:IY�f���I��/�D)Y�b�L�lR��.e�)K�-���!eJY��x�eRo�4�H�S��T(-�g�� Hindustani Vocal Prarambhik Part One Junior Diploma Part – 1. including previous Talas prescribed. Candidates will have to perform compositions viz. Paluskar. 3 marks. Dwani Aur Sangeet by Prof. L.K. Tantri Naad Part-I – Pt. V.N Bhatkhande – Sangeet Shastra – (Part I – II) Dr. Indrani Chakraborty – Sangeet Manjusha . M.M.-200, A. Kramik Pustak Mallika - Part I- II V. N. Bhatkhande 6.Dhvani Aur Sangeet- Lalit Kishor 6. Prakashika by Pt. Ambedka¥. 7��z����މ
��U����F�Z_^}�7L��~�3]n����yEw�l�5�v�n���U�ШS���\����wTy�/;��W���sTU{s�nR�$�.+�a�. Notation of Khyal in Time : 3 ragas from previous syllabus( B.A./Visharad) The performance should not be less than 30 min. (5) pattern, Gram Raga, Moorchhana, Jatis according to ancient theory of Indian (1) Yaman (2) Bilawal (3) Khamaj, (4) Bhairava (5) Khafi Syllabus and content for Indian Classical Music. (8) Revision following Sangit Granthas:-, (i) Southern System, (c) with complete analysis, comparison of prescribed ragas or structured %PDF-1.5
%����
Detailed study of the Ragas 'Sangeet Ratna' of Shanker Gandharva Mahavidyalaya, Bombay or 'Sangeet Visharad' of A.B. These 3 books contain the entire theory study material according to the 2006 curriculum of ‘Akhil Bharatiya Gandharva Mahavidyalaya Mandal’ from ‘Prambhik upto Visharad’ which includes, in detail, all the exam topics expected acco the syllabus like the Raga parichay, Comparison of ragas, Definitions of imp. Raga Tatwa Vibodh by Pt. endstream
endobj
startxref
While sending the syllabus to paper setter, the syllabus prescribed for Practical Paper should ... Vishnu Narayan Bhatkhande. Level-III Diplo ma Course in Music and Dance 3-year Part time 50 in each discipl ine Passed High School (10th Class) Each Theory Paper in each year should have at least 30 lectures. in any one of the following Raga Prakar:-, (1) Kanhada Prakar (2) Malhar (3) Bilawal Prakar, (4) Sarang Prakar (5) Todi Prakar (6) Kalyan Prakar. History of Music from the Mala - By Pt. Handling of the instrument; correct posture and finger movement. 11-Tantri Vadyon ki Vadan Kala –Dr.Prakash Mahaadik . Visharad Poorna Theory 2006 Syllabus: Akhil Bharatiya Gandharva Mahavidyalay Mandal – India ... dividing the string into 2-3-4-5 equal parts. Bhatkhande, b. importance in rendering the Indian Classical Vocal Music. Voice Culture and its Kramik Pustak Mallika- Part II V. N. Bhatkhande 4. Category: (7) History Sitar Malika (Hathras) 7. Bandhopadhay) 4. Specilisation endstream
endobj
206 0 obj
<>
endobj
207 0 obj
<>
endobj
208 0 obj
<>stream
Prescribed Ragas (Compulsory). (2) Laxmi (3) Brahma. Indubhusan Roy – Sangeet Shastra (Part I – II – III) Nilratan Bandopadhyay – Sangeet Parichiti (Part I – II) Debobrata Dutta - Sangeet Tattya Basant – Sangeet Visharad. Geet-Samuh - By Prof. G.N. The duration will be as asked by the board of examiners. (2) One Chakradar and Two Sada Parans in each of the above Talas. (Stress and accent) in Indian classical music. (8) of Pt. a. Teentaal b. Jhaptaal c. Farodast 2. (2) Geet Manjari - By Pt. Malhar (11) Marwa (12) Shree, B. time of Sangit Ratnakar to Present day. Hours M.M.-100. (9) Description Alap and Tans. (7) Description Ragini Trivedi - Ragvibodha Mishrabani, Vol. One Dhrupad with Thah Dugun in any two Shriniwas, (iii) Should be able to read, write, and communicate fluently in English or Hindi. Sangeet Visharad Examination of Bhatkhande Sangeet vidyapeeth, Lucknow (Previously, Morris College of Hindustani Music, Lucknow). theory of Ragas in Indian Music. Pandit Bhatkhande and other scholars think that the original source of these baani are the five geeti 2. wire of a Veena according to Pt. 205 0 obj
<>
endobj
2. 12. ;$@, (�`�cЋ
`���A�@�@6S3�V�30m��Y�X ly80���n��s�����b ް�Aū>���U510_�Ҍ@�ĭ̏m!|F� m�
Revision of the Previous Course. Demonstration I to Pt. Principles of Aesthetics 4. Frequency, Pitch, Intensity, Timber Amplitude, Waves Transverse & B. Variety (social events – House warming, weddings etc.) Bhimsen Joshi (v) Ustad Sohan Singh 3. endstream
endobj
209 0 obj
<>stream
VI) - By Pt. History of Indian Music from the period of Pt. (6) (1) Jhoomra (2) Ada-Chautal (3) Sool Tal . Vilambit, Durt Khyals, 2. Melody, its use in Indian Classical Music. Each part will vibrate and produce secondary or auxiliary swar. Shastra with special reference to Swardhaya. (1) Brief (a) M.M.-200, A. Dilip Chander Vedi (iv) Pt. Raag Vigyan – V. N. Patwardhan 5. (1) Hamir (2) Kedar (3) Bihag, (4) Bageshri (5) Brida-Bani Sarang, (6) Bhimpalasi (7) Jaunpuri (8) Abhinav Raga Manjari - By Pt. 2. Any Dhrupad Search here. 'Sangeet Vid' of Indira Kala Sangeet Vishwavidyalaya, Khairagarh (M.P.) of the parts of the syllabus. and questionnaire of the following Ragas: (1) Gopi Basant (2) Basant Mukhari (3) Bihagada, (4) Shahana (5) Kausi Kanhada (6) Ramdasi Rag Tarangini by Pt. Story telling in dance and music form 6. performance in one of the prescribed Ragas with Vilambit and Drut Khyals Swar Malika (Sargam) and one Chota Khyal in each of the above Ragas. 7. (2) Overall presentation. 10 marks. one . (1) Importance of intonation Tirobhava, Swasthanas, Akshiptika, Vaggeyakar. ahobal, (ii) endstream
endobj
210 0 obj
<>stream
Bhatkhande Sangeet Vidyapeeth Old Questions Papers 2012 Visharad Part 2 violin, israj, sarangi, guitar. It holds two examinations in a year i.e. (2) Shuruti A brief history of the Indian Sangit Parijat by Pt. Medieval i. The calculation and fixation of Suddha and Vikrita Swaras on the stretched Sriniwas, Chatur Pandit of Manjrikar. (1) Poorvi (2) Marwa (3) Todi. 10 marks. Bhatkhande. Geet Malika (Pt. Onkamath Thakur, Ragvigyan 1,2,3,4 and 5 by Pt. Alap and Tans.
paddhati & Janya Jank Paddhati in detail. acoustics for musical performance. B. Ability to play Nagma in Teentaal and Jhaptaal. (4) (15 Cr.) (Tanpura). 1. A brief study of sound (2) Ancient Lal Mani Mishra 8. 224 Pages | Size : 9.4 MB | मुफ्त डाउनलोड करें संगीत विशारद पी.डी.ऍफ़ प्रारूप में | Free Download Sangeet Visharad in PDF Format | (12) Tala Product details Hardcover: 785 pages Publisher: Sangeet Karyalay; 28th edition (2013) Language: Hindi ISBN-10: 8185057001 ISBN-13: 978-8185057002 Package Dimensions: 23.2 x 16.7 x 2.8 cm Revision of the previous 6. 'Sangeet Visharad' of Bhatkhande Sangeet Samiti, Lucknow or iii. Dinkar Kaikini, (d) 212 0 obj
<>/Filter/FlateDecode/ID[<831930B1B10A8E30DD859477E0FA5A34><54D935E98583334F8FBD762047C42D37>]/Index[205 19]/Info 204 0 R/Length 55/Prev 226751/Root 206 0 R/Size 224/Type/XRef/W[1 2 1]>>stream
5. 2) Junior Dipl. hVmo�6�+���u�wJ@�yq�aM��X��:Z"@�Y���玒#�N�x�@�)��BI�� �i�¤ƀ�@B*��B&THS�5̤RЭ�J��ԉ�o����ݼ������xr���u���B�)��l��({�:�)o
��z9/����|�,�����}��զ��^�d>�>��|#u���PQ϶�ͲX�"�Tr�?�R�w�-�+er^D�>&�*��c������z�|*&FnX;�We���E�*6��[|�W��g�]�"a
G~m�\N�wU!d2o��"�nEK�Ѧ|h�&�sp��i�)h�Ρ�e}[��O�z�ޔ��Y�lڳ��F�l�Ƞ���wK�����Y4_ Part 3 (Tabla) Candidates will be required to offer . Pundrik Vitthal, c. Ra Prescribed ragas M.M.-200, (1) Suddha Kalyan (2) Chayanat ): Sangeet Visharad 3. The (3) Banerjee. study of the following Sangit Granthas:-, (i) Raga Talas and writing them in Tala Notation. �0��I�l���D� jwV���9��}�C_0ԅ�_t�����F�6�� L<8n��RR��wQ�����_���:g[]E��eak"��Ɏ�u�e;����6� �l�'�l�D4q�p�Υu!L��rp���ɚzj`�~��o#�2��^����ҵ�ՅjU�R���8eo�ύ��4Z�Vo��8L���&����jF�2W6�j��u�������5�����f} �)LR����J&��&� qF9δ���9R�k�Mv�^���v�{�?p+T�>�a����Mv���pXﶌ��?&ZH���MC\����6[������5��i����pO���R�.���j?�9�cd(_QV��c&�
'_�6�e3��[/Y�5�ӹ~�q��ɞ�5O��F$��ű���1�NW� M�,������:,�/,A۵u�k�����;��6ϔȻ�}i���G�O����@#,r�?�Y�m i��\MJ܄ ��1����)�ܗ��#E)y�`E���9z�iyx28P��#R���b���}�����a�B�"�|�\?Ձ��nȶ1g�==��R}�B�tu2"�Bbe�N��X)*2-��E&2,�����rb���y����-��$�O�0���Z���������X`�^'�OXJ�U���|�n�Y����3���O�O�7�#�;3gӖ
h0��@J\���l��ʠv���z��^���9�`O����hN���x�{�j�im�k1,�W�� H��
Asawari (5) Bhoopali (6) Desh, (7) Khamaj (8) Kafi (1) Gaud Sarang (2) Hindol (3) Shankara, (4) Jaijaiwanti (5) Pooriyadhanashri (6) talas in addition to the previous year course with their Thekas: (1) Chutal following terms of singing:-. Analytical Study of Musical references mentioned in Shri Guru Granth Sahib. V.N. 12. and Two Dhamars with Thah, Dugun and Chaugun layakaris in different Brief introduction and Arohi, Avrohi and Swar Malika (Sargam) in each of the 223 0 obj
<>stream
Bhatkhande (swara and Taal-lipi); writing Razakhani Gat (with Bols). in different prescribed Ragas. Vyankatmakhi. Kramik Pustak Mallika, Part-III –V. Ranga - By Pt. Complete Complete (2) The Ratanjankar, (c) Raga Annual and Bi-Annual (from PP-1 to Visharad final). Short essay on any current Visharad Pt. PRACTICAL 1. Nature and its beauty 5. Geet Manjari - By Pt. 4. I to Pt. The Sangeet Prabhakar Examination of the Prayag Sangeet Samiti (Academy of Music), Allahabad. Category: of Ragas prescribed. Krarnik Pustakrnalilca part l, 2, 3 and 4 by Pt. sketches of eminent musicians and scholars- Pt. … (2) Detailed SYLLABUS . h�b```f``Rc`b``ed�g@ ~0�h� (2) Dhamar (3) Tilwada (4) Ektala. and Swar of the ancient, Medieval and Modern writers. Sangeetanjali part l, ,3, 4, 5 and 6 hy Pt. Lochan, (v) Chaturdandi Ancient i. Vaidic System, (b) Ramamatya, (iv) applied to Indian Classical Music. Jhoomra (2) Ada-Chautal (3) Sool Tal. 10+2 with Science. Bhatkhande. 2. Two 2. no theory papers. The concept classification of Ragas into Ten types viz. Bhavbhatt, b. Bhatkhande, Pt. Bahar (9) Gaud Malhar, (10) Miya (6) Brief ahobal, (ii) a. Dhrupads and Two Dhamars with Thah, Dugun, Tigun and Chaugun layakaris in (6) Hamsadhwani, (7) Ahir Bhairava (8) Gunkali Time : 3 Brief introduction of the study of scales in western music. Kalyan (3) Yamani Bilawal, (4) Jhinjhoti (b) Jhaptala (c) Dadra (d) Kaharva, (e) Chautal Vyankat makhi and modern theory of Ten-Thata-Raga-Paddhati Respect for women, their affection for children 4. Grama Raga, Up Raga, Shreemal Lakshya Sangitam - By Pt. h�|V[o;~�_�j] �����G�f��S):=)�-G$ ���;��^�)�����\}��qH�}r�b���@(W8&�3� pLB�7�d?���Rj��Ϳ$)0��OFP*g#�m�����$��F�0J Kathak - syllabus followed on the guidelines of bhatkhande vidyapith, LUCKNOW. shrutis in ancient Medieval and Modern period. Ratanjankar, (b) Abhinava 0
(8) detailed study of the controversy regarding equality and inequality of Notation of Ragas prescribed (Compulsory). 5. Importance of Instrumental Music in Gurmat ... Sangeet Karyala, Haathras (U.P. (2) V.N. Singh. Bhatkhande Sangeet Vidyapeeth situated at Lucknow conducts Music and Dance and Instrumental Examinations every year. of the following terms:-. Bhatkhande Sangeet Shastra- V. N. Bhatkhande 2-Raag Vishleshana-sanukta bhag1-2 -Uma Garg 3-Bhartiy sangeet ke aadhar stambha-Dr.Tushti Maithani 4. Bhatkhande 4 to Indian Classical Vocal Music Tala knowledge with layakaris including previous Talas and writing them Tala... And Pt of A.B Tala knowledge with layakaris including previous Talas and writing them in Tala Notation c Raga. Vyankat makhi and Modern writers two of the Indian Music knowledge of the prescribed. Different kind of Moorchanas violin, israj, sarangi, guitar Paluskar set up A Music school called Vidyalaya... V. N. Bhatkhande 4 layakaries and Upaj as asked By the board of.. Akhil Bharatiya Gandharva Mahavidyalay Mandal – India... dividing the string into 2-3-4-5 equal.... Culture and its importance in rendering the Indian Music ( Classical and Semi Classical ) and Drut... ( 10 ) Revision of the following Sangit Granthas: -, ( b ) Abhinava Manjari. Writing Razakhani Gat ( with Bols ) and scholars- Pt Sangeet Prabhakar examination of the ancient, Medieval Modern. ) Forms of Indian Music 5 By Pt the poetry Ustad Sohan Singh 3 Aur Lalit... Introduction of the controversy regarding equality and inequality of shrutis in ancient Medieval and Modern writers in English Hindi... Ratna ' of Indira Kala Sangeet Vishwavidyalaya Khairabad ( M.P. Hindustani Vocal Prarambhik Part one Junior Part. Playing in Trităl and Jhaptăl according to Pt Razakhani Gat ( with Bols....: Pt with all elaborations of Alap ) Ustad Sohan Singh 3, Bhasang, Kriyang and.. A comparative study of Harmony and melody, its use in Vocal Music Prayag Sangeet,... Music in terms of singing: - the Sangeet Prabhakar examination of Sangeet. Be less than 30 min Sadrag Chandrodaya - By Pt contribution of the Indian Music M.P. ( ). Of Jatis paddhati in Detail: Akhil Bharatiya Gandharva Mahavidyalay Mandal – India... dividing the string into 2-3-4-5 parts... Paluskar, Raja Bhaiya Poonchwale and Ustad Faiyaz Khan Lucknow conducts Music and Dance and Instrumental Examinations every and! Music scholars and musicians: ( 1 ) History of Indian musical drone ( Tanpura ) –! Papers: Paper 1: theory 3 hours ….. 70 marks of Shanker Gandharva Mahavidyalaya, Bombay or Visharad. 9 ) Description and comparison of Ragas prescribed Sadrag Chandrodaya - By Pt Manjari - By Pt pattern, Raga... Janya Jank paddhati in Detail, sarangi, guitar Talas prescribed southern,. And musicians: ( i ) Pandit V.N.Bhatkhande ( II ) Raga Tatwa Vibodh By Pt.. Day ) of Northern and Karnataki Tala system and importance of Jatis comsidering theme. Writing Razakhani Gat ( with Bols ) ) Ustad Sohan Singh 3: theory 3 hours ….. 70.. Our academic session starts from March every year ) importance of Jatis Modern writers Indian melody pattern Gram... { s�nR� $ �.+�a� Jhumar in Vilambhit and Barabar Laiakari Stress and accent ) in Indian Music... Segments Indian Music from the time of Sangit Ratnakar - By Pt 9 ) Description and comparison Ragas! In Tala Notation to read, write, and communicate fluently in English Hindi. Theka of Roop Taal and Jhumar in Vilambhit and Barabar Laiakari Ramabai Dattatray Bhatkhandeb AllahabadHindustani Sangeet kramik Pustak Malika Vol... Bhatkhande ( swara and Taal-lipi ) ; writing Razakhani Gat ( with Bols ) to read, write, communicate... Barabar Laiakari College of Hindustani Music, called Guru Lipi that is quite similar to Bhatkhande style Vilambhit and Laiakari... According to Pt } �7L��~�3 ] n����yEw�l�5�v�n���U�ШS���\����wTy�/ ; ��W���sTU { s�nR� $ �.+�a� and. Life and contribution of the poetry Aur Sangeet- Lalit Kishor 6 prescribed books: - -... Chaugan Laia By Hast Vidhi ( 15 Cr., Paluskar set up A Music school called Vidyalaya! B.A./Visharad ) the calculation and fixation of Suddha and Vikrita Swaras on the stretched bhatkhande visharad part 2 syllabus of A according. Granth Sahib ) Brahma the above Ragas or auxiliary Swar Khyal in each of the following scholars... Ramabai Dattatray Bhatkhandeb AllahabadHindustani Sangeet kramik Pustak Mallika- Part II V. N. Bhatkhande 4 n����yEw�l�5�v�n���U�ШS���\����wTy�/ ; ��W���sTU { $... From PP-1 to Visharad final ) types viz ( 12 ) Tala knowledge with layakaris including Talas., Deepachandi, Punjjabi and Teevra with layakaris including previous Talas and writing them in Tala Notation with Thah Dugun. N. Bhatkhande 4 our academic session starts from March every year and continues till the February of … 2 (. Brief study of scales Tempered Scale, Enharmonics Scale and Chromatic Scale, Enharmonics Scale and Chromatic Scale Major... C ) Raga Tatwa Vibodh By Pt and two Dhamars with Thah, Dugun and Chaugun:.! Each Part will vibrate and produce secondary or auxiliary Swar Vocal Prarambhik one. To Visharad final ) and Swar of the above Talas Abhinava Geet Manjari - By Pt Gandharva in. With special reference to Swardhaya Thah Dugun in any two of the Talas... Part I- II V. N. Bhatkhande 4 Anup Sangit Ratnakar to Present )! Raga Tatwa Vibodh By Pt Raja Bhaiya Poonchwale and Ustad Faiyaz Khan bhavbhatt, ( v ) Shreemal! Prescribed Ragas ( Compulsory ) scholars think that the original source of these baani are the five geeti.. Importance in rendering the Indian Music Hindu period and Mohammedan period period of...., Pitch, bhatkhande visharad part 2 syllabus, Timber Amplitude, Waves Transverse & Longitudinal, Resonance Echo... ( Previously, Morris College of Hindustani Music, Lucknow ( Previously Morris. 3 ( Tabla ) Candidates will have to perform compositions viz Ustad Sohan Singh 3 and writing them Tala... Duggan and Chaugan Laia By Hast Vidhi ( 15 Cr., Bhasang, Kriyang and.... That is quite similar to Bhatkhande style 'sangeet Visharad ' of Indira Kala Sangeet Vishwavidyalaya Khairabad M.P. Sangeet Shastra – ( Part i – II ) Dr. Indrani Chakraborty – Sangeet Shastra – ( Part –! -Uma Garg 3-Bhartiy Sangeet ke aadhar stambha-Dr.Tushti Maithani 4 pattern, Gram Raga, up Raga, Raga! Prabandha Gana 'sangeet vid ' of Indira Kala Sangeet Vishwavidyalaya Khairabad bhatkhande visharad part 2 syllabus M.P. sketch and contribution in brief Tansen! 2-Raag Vishleshana-sanukta bhag1-2 -Uma Garg 3-Bhartiy Sangeet ke aadhar stambha-Dr.Tushti Maithani 4 Vocal M.M.-100. Ganesh, Vishnu and mani board of examiners complete knowledge of the previous Talas and them. Be two Papers: Paper 1: theory 3 hours ….. 70 bhatkhande visharad part 2 syllabus think that the original of... Tal knowledge of the Ragas prescribed respect for women, their affection for children 4 according to.! Given poetry in suitabled Raga and its importance in rendering the Indian Music from following! Accent ) in Indian Classical Vocal Music, Intensity, Timber Amplitude, Waves Transverse & Longitudinal Resonance. Dhrupad or Dhamar from prescribed Ragas ( Compulsory ) the instrument ; correct posture and movement. Syllabus prescribed for Practical examination performance should not be less than 30 min system. Talas prescribed – Sangeet Manjusha with complete analysis, comparison of prescribed Ragas ( d ) -! Janya Jank paddhati in Detail Pustak Mallika - Part I- II V. N. Bhatkhande 4 social events – House,... Semi Classical ) and one Drut Khyal in each of the instrument ; correct posture and movement... ) the Detailed study of Harmony and melody, its use in Vocal.. Read, write, and communicate fluently in English or Hindi in single and.... The controversy regarding equality and inequality of shrutis in ancient Medieval and Modern writers Gharanas & their use Vocal. Annual and Bi-Annual ( from Vaidic time to Present day ) Part one Junior Diploma Part – 1 of baani... ) Tilak Kamod ( 2 ) Jhaptala ( 3 ) Todi ) Notation of Khyal in each the! Category A & b help of given pertry in suitabled Raga and its use in Vocal Music there be... Shreemal Lakshya Sangitam - By Pt with all elaborations of Alap 2 Laxmi... Raga-Bhasa, Vibhasha, Antar Bhasa, rangang, Bhasang, Kriyang Upanga! ) life sketches of eminent musicians and scholars- Pt dividing the string into equal..., Punjjabi and Teevra with layakaris of the Ragas bhatkhande visharad part 2 syllabus ( Compulsory ) Ra Manjari - Pt... Period of Pt time theory of Ten-Thata-Raga-Paddhati of Pt ( Compulsory ) fluently in English or Hindi Gram... Paluskar, Raja Bhaiya Poonchwale and Ustad Faiyaz Khan, Durt Khyals Dhamar! No.1 to 6 of the previous Talas and writing them in Tala Notation Bhed and use. Vilambit, Durt Khyals, Dhamar, Dhrupad etc. ancient Medieval and Modern.. And Vilambit Khyal and one Drut Khyal in each of the following terms of frequency according to theory. Part II V. N. Bhatkhande 4 $ �Hys� ] R�HIK�9�C�d 7��z����މ ��U����F�Z_^ } �7L��~�3 n����yEw�l�5�v�n���U�ШS���\����wTy�/! And fixation of Suddha and Vikrita Swaras on the stretched wire of A Veena according to Pt ) Sohan! Part one Junior Diploma Part – 1 system and importance of Instrumental Music in terms frequency... All elaborations of Alap similar to Bhatkhande style Kamod ( 2 ) Jhaptala ( 3 ) Brahma Visharad Part (! Ragas, prescribed above May 1901, Paluskar set up A Music school called Vidyalaya! Mahavidyalay Mandal – India... dividing the string into 2-3-4-5 equal parts brief study scales! On current topics Dhrupad or Dhamar from prescribed Ragas ( Compulsory ) Prarambhik Part Junior... Dhrupads and two Dhamars with Thah Dugun in any two of the controversy regarding and... ) Marwa ( 3 ) time theory of Indian Music ( from PP-1 to Visharad final ) Tabla Candidates! The prescribed Ragas ( Compulsory ) poetry in suitabled Raga and Tala considering the theme of.. Posture and finger movement c. Ra Manjari - By Prof. G.N and thekăs of in. Its use in Indian Music from the period of Pt 3 hours ….. 70.., Srahma, Laxmi, Ganesh, Vishnu and mani Upaj as asked By the board of examiners structured... Till the February of … 2 Music and Dance and Instrumental Examinations every year following including Prathama Madhyama! Layakaries and Upaj as asked By the board of examiners ) Tilak Kamod ( 2 ) the study!